JPS Australia

History

Don Henley 2017 Tour

Don Henley Tour

Eagles co-founder, vocalist and drummer Don Henley returned to Australia this month for a run of indoor and A Day on the Green outdoor shows. Don was joined on stage by his fifteen-piece band for a show that has had critics raving.

FOH engineer Tom Evans has mixed for a wide variety of acts in the past including Snow Patrol and Gwen Stefani. He describes working for Don Henley as a pleasure to mix and says the band are all incredibly talented.

The material I am being given to mix is absolutely first rate,” Tom stated. “The band consists of five horns, three backing vocalists (although all the band sing backing vocals too), two keyboard players, two guitars, bass player, drums and one member who plays a variety of instruments including pedal steel.

JPJ Audio provided crew and gear for the tour including an L-Acoustics PA consisting of K1 over K2 cabinets and V-Dosc for outfills. The amount varies from show to show, as they are playing small and large, indoor and outdoor gigs. The maximum carried are twelve K1’s per side with K2’s underneath.

Don Henley has great attention to detail which is both inspiring and motivating for Tom, who mixed the show on an SSL Live L500 Plus console with no outboard effects.

In the beginning I used a DiGiCo SD5 with Waves external but I find it’s really one more thing to go wrong,” he said. “Often, simpler is better. I’m pretty much using everything available with the console and have maxed out the DSP on it. I have eight Reverbs running, a couple of Delays, a couple of Doublers, some Multiband compressors, Dynamic EQs and De-essers, the SSL Stereo Bus Compressor and Transient Shaper. The standard Dynamics and EQ on the channels are great too.

Each musician plays several different instruments which keeps Tom on his toes using snapshots and set lists to ensure the right instruments are open and muted at the correct times.

Microphones are sourced from a variety of manufacturers with Shure 58, Telefunken M81 and DPA De:Factos on vocals.

Monitors were mixed by Raza Sufi on a DiGiCo SD9 console with a combination of wedges and IEM’s used onstage. All of the band, except for one, are on IEMs although some of them also have wedges.

The Australian tour was great,” added Tom. “The local crew and the crowds are great, and we always have a good time.

 

Australia Day 2017 at the Opera House

Australia Day 2017 1

Directed by the highly-awarded John Foreman, Australia Day 2017 – Live at the Sydney Opera House brought together a collection of Australia’s best talent, including Tina Arena, Guy Sebastian, Human Nature and Dami Im. The concert was hosted by Grant Denyer and Kerri-Anne Kennerley.

JPJ Audio provided audio production with Will King in charge of the design and running front of house. It has been well publicized that the forecourt of the Opera House is a tricky venue due to its’ strict noise control limit. Added to that was the fact that the show was broadcast live and the television producers wanted the Harbour Bridge as a backdrop.“This meant that the stage wasn’t orientated in a way that was helpful in achieving that sound level,” commented Will. “The sound was directed towards the Botanical Gardens and in places, could hit the sandstone wall. We had to do our best to deliver a sound system that would shoot down enough to not hit the wall, only the audience.

The PA system comprised of L-Acoustics K1, ten a side, with a side hangs of KARA enclosures to cover the steps of the Opera House, as well as SB28 subs. A single mono delay hang of eight deep KUDO enclosures was also utilized. A large number of Clair 12am wedges covered the stage and the thrust that jutted out into the audience. Usually a thrust allowing performers in front of the PA can cause problems but not in this case due to the concert’s strict noise limits.

Australia Day 2017 2That was probably the only good thing about having a strict noise limit!” laughed Will. “I used a DiGiCo SD10 for control and it was the first time I didn’t have a single channel to plug anything into. The entire console was full – if anyone else had turned up I don’t know what we would have done!

It was important that Will remembered the larger audience was at home watching the concert on the television and he had to be careful not to do anything that would affect the broadcast.

For example, feedback is an absolute no-no on TV,” he elaborated. “If it happens once or twice at a gig, you can get away with it but with television it’s very noticeable in the quiet of your living room as opposed to a noisy gig.
Those who have seen the broadcast of the show will remember what appeared to be a momentous audio fail when Grant Deyner’s microphone didn’t appear to work for what seemed like an age. However, JPJ are relieved to be able to state that the microphone was working perfectly at the gig.

Tristan Farrow ran monitors using a DiGiCo SD5 console.

Photos:

©Troy Constable

A Day On The Green

ADOTG 1

Promoters Michael and Anthea Newton of Roundhouse Entertainment began A Day On The Green in Victoria with the first show on Australia Day 2001. Since then it has grown to become firmly established as one of Australia’s most successful and respected outdoor concert events.

A glittering array of International and Australian stars have performed during the past fifteen years providing unforgettable musical memories. A Day On The Green runs in the summer months from October – March with around thirty concerts per season in the all major wine-growing regions around Australia.

This year kicked off at Bimbadgen Estate with the Monster National Tour featuring an all Australian line up including You Am I, Something For Kate and Spiderbait. As in previous years, JPJ Audio supplied crew and gear for the tour.

FOH Systems Tech Ryan Fallis has done ADOTG for the past eight years and has experienced everything that nature can throw at an outdoor show. The Bimbadgen show was no exception with high winds at midday causing the stage to be shut down for over an hour, just when acts were about to sound check. Added to that was a large bushfire nearby that threatened to have the show cancelled.

There’s been some terrible weather at ADOTG shows over the years,” remarked Ryan. “One year at Sirromet Wines in Queensland we had a lightning storm and we had to evacuate the stage – that was pretty dicey! There’s always some sort of weather event around ADOTG, one year the stage was actually under water but they still managed to get the gig going.

As the ADOTG gigs travel the country the PA system is provided through the three JPJ offices in Sydney, Brisbane and Melbourne whilst the FOH package is toured. At Bimbadgen an L-Acoustic K1 rig out of Sydney was used comprising of twenty-four K1 boxes in the air for the mains, eight K1-SB in the air, twelve Kara underneath the mains, twenty four SB-28s on the ground, four Kara infills and for the sides ground stacked V-Dosc.

It’s quite a few boxes but that’s needed to cover a field of that size,” added Ryan. “In Queensland we’ll have their V-Dosc system which sounds really good too. It’s a similar system box wise but we add a couple of rings of delays as well to get some extra coverage. In Melbourne we’ll pick up the d&b audiotechnik rig.

At each ADOTG show engineers request the mixing console they require, in this case there were two Avid Profile consoles with JPJ’s Adrian Roche mixing monitors on a Yamaha PM5d.

Gallery – click images to enlarge.


 

Taylor Swift 2012

The Speak Now World Tour is the second concert tour by American country singer-songwriter, Taylor Swift, in support of her third studio album, Speak Now. The tour visited Asia, Europe, North America and Australasia.

Taylor Swift toured Australia with equipment and crew from Sound Image while JPJ Audio provided the ‘stacks and racks’.

Dates

March 2 Burswood Dome Perth
March 4 Entertainment Centre Adelaide
March 6 & 7 Entertainment Centre Brisbane
March 9 & 10 Allphones Arena Sydney
March 12, 13 & 14 Rod Laver Arena Melbourne

Speaker System L-Acoustics
28 x K1 Enclosures
21 x dV-Dosc Element
48 x KUDO Cabinet
12 x SB28 Sublow Cabinet
14 x LA-Rack (3 x LA8))
1 x K1 Drive Rack (Dolby)
Crew  
  Paul Schofield
  Bianca Martin
  Simon Farrell

Miley Cyrus 2011

This tour marked Cyrus’ first visit to Australia since being introduced to local audiences as Hannah Montana in 2006. Miley Cyrus has released ten albums and sold in excess of 500,000 singles in Australia.

Dates June 21 – July 2, 2011
FOH Engineer Paul David Hager
JPJ Audio Crew Tristan Johnson
Simon Farrell
Dave Richardson
Speaker System L-Acoustics
Main Hang 32 x K1 Element
6 x dV-Dosc Elements
12 x K1 Sub Bass
24 x SB28 Sub Bass
Side Hang 18 x V-Dosc Element
6 x dV-Dosc Element
Rear Hang 18 x Kudo Element
6 x dV-Dosc Element
Front Fills 4 x ARCS (outside)
4 x dV-Dosc Element
2 x dV-Sub
Amplifiers and Drive 54 x LA8
1 x K1 Drive Rack (Dolby)
4 x Dolby Lake DLP4D12 Processor
1 x BSS FCS-960 Stereo EQ
1 x Motion 1200 wireless tablet
FOH Control System (Support Act)
1 x Avid SC48
6 x BSS DPR 402 (2 Ch Comp.)
1 x Summit TLA 100A Tube Comp
2 x Drawmer DS201 (2 Ch Gate)
1 x Lexicon PCM90 Reverb
1 x TC Electronics D-Two Delay
2 x Yamaha SPX990 Multi-FX
Monitor Control System
1 x Midas Siena 400 40ch
10 x Clair 12AM Monitor Speaker
5 x Lake Clair iO Controller
8 x Crown MA3600VZ
1 x Clair ML 18 Sub Bass
1 x Crown MA9000i Amplifier
8 x Urei 5547A 1/3 Octave
Wireless Microphones
2 x Shure UR4D-Q5 Dual Receiver
4 x Shure UR1-Q5 Beltpack TX

 

Massive Attack – Sydney Opera House

Massive Attack - Sydney Opera House forecourt

Massive Attack toured Australia in March 2010 off the back of their album `Heligoland`. JPS provided a L-Acoustics K1 system for the tour.

Tour Dates

March 12, Perth, Kings Park
March 15, Sydney, Opera House Forecourt
March 19, Canberra, Royal Theatre
March 20, Melbourne, Myer Music Bowl
March 21, Adelaide, Entertainment Centre
March 23, Brisbane, Riverstage

Speaker System L-Acoustics K1
24 K1 Enclosures
12 dV Dosc
8 x Arcs
16 x SB28 Sub Bass Enclosures
Amplifiers
12 LA Rack
36 L-Acoustics LA8 Amplifiers

Doctor Zhivago 2011

Review

Alex Lalak From: The Daily Telegraph February 22, 2011

DR ZHIVAGO is a show for theatregoers looking for something to chew on. It is a slow-burn musical, with polished performances, gritty plot, a fighting spirit and, most importantly, an excellent score.

Written by US composer Lucy Simon and directed by Des McAnuff (of Jersey Boys fame), Dr Zhivago is based on the lengthy novel by Boris Pasternak. It follows part of the life of Yuri Zhivago (Anthony Warlow), a doctor and poet raised in a wealthy family after the collapse of his own and married to the daughter of the house, Tonia (Taneel Van Zyl).

After a couple of chance meetings, the feisty Lara (Lucy Maunder) captures Yuri’s poetic heart and their troubled love story plays out against the bloodstained backdrops of World War I and the Russian Revolution.

There are some shaky elements, including pacing in the first act, simplification of politics and the rapid-fire ending. However, considering it has been in previews for a mere week, it shows serious promise on all the points that matter. It looks fantastic, with early scenes of aristocratic splendour contrasted with later visions of war-time griminess, set off by black and white images digitally projected on to the backdrop to assist scene changes.

Simon’s score is a delight, with powerful ballads rubbing shoulders with jaunty chorus numbers and a stirring quartet. The cast does an excellent job delivering Simon’s music, with sharp performances from the soloists. Trisha Noble, Peter Carroll, Martin Crewes and Van Zyl hold their own, but it is the balance of Maunder and Warlow that holds the show.

Despite her youth and occasional lack of depth in her voice, Maunder has a good crack at Lara’s complexity and brings her to life, particularly in the duets with Warlow. Warlow might seem too old for the role but the heart and experience he brings to the stage is invaluable and there is never a doubt he is in total control.

Dates

Sydney, Lyric Theatre, February and March 2011
Melbourne, Her Majesty’s Theatre, April to July 2011
Brisbane, Lyric Theatre, QPAC, July to August 2011

The Pixies Tour 2010

    Photos courtesy of Stephen Booth Photography

 

The Pixies returned to Australia for a sell out national tour. JAS provided a D&B J series system along with a M4 monitor system.

In a sign of things to come the shows were recorded live and CDs were available at the end of the show.

DATES

March 14 – 27

SYSTEM

32 x D&B J8/12 line array boxes
12 x D&B J-sub
6 x Q7
2 x Yamaha PM5DRH
3 x DV-Dosc sidefill systems
12 x D&B M4 wedges

JAS Crew

FOH system tech: Craig Gordon
Monitor system Tech: Mathew “Boz” Boaro
Audio system tech: Nathan McGuinness

    Photos courtesy of Stephen Booth Photography Click to enlarge

Future Music Festival 2010

2010’s Future Music Festival featured The Prodigy, Empire Of The Sun, Franz Ferdinand, David Guetta and co along with new musical acts including: Spank Rock, Way Out West, Operator Please, Bag Raiders, Space Invadas and Jump Jump Dance Dance!

Dates

Feb 27-28, March 6-8

Melbourne Festival

Main stage

24 x L-Acoustics V-Dosc
24 x L-Acoustics SB218

Stage 2

24 x D&B J
18 x D&B B2 sub
1 x Digidesign Profile FOH console
1 x Yamaha PM5D
12 x D&B M4 wedge
2 x Nexo Alpha E side-fill systems

Stage 3

16 x D&B J
12 x D&B J- sub
1 x Digidesign Profile FOH console
1 x Yamaha PM5D
12 x Wayloud wedge
2 x Nexo Alpha E side-fill systems

Sydney festival

Main stage

24 x L-Acoustics V-Dosc
24 x L-Acoustics SB218

Adelaide festival

Main stage

24 x L-Acoustics V-Dosc
24 x L-Acoustics SB218

Prodigy package

Consoles

2 x Midas XL3
3 x quad D&B C4 side-fill systems Loud!!!
16 x D&B M2 wedges

Franz Ferdinand package

1 x Digidesign Profile FOH console
1 x Yamaha PM5D monitor console
2 x D&B M2 wedges

Pearl Jam 2009

Story & photos by Cat Strom. Originally published in Pro Audio Asia

Excessive temperatures and strict noise pollution controls faced Pearl Jam and their crew at their massive outdoor gig at Sydney’s Football Stadium in support of their latest release, Backspacer. This was also the tour that Australian rental-company and long-standing L-Acoustics Rental Network Agent, Jands Production Services (JPS) was using to debut its new K1/Kudo line array system.

JPS – along with several of the world’s leading rental companies – are collaborating with the L- Acoustics R&D team in advanced field proofing of the new system that is specifically designed for stadiums. As a result the company has taken delivery of one of the limited number of K1 systems in the pilot programme. “The new K1 isn’t intended as a replacement for V-Dosc,” explains Jim Straw, JPS general manager. “The combination of K1 and Kudo is aimed at providing a scaled solution for large venues with Kudo providing a flexible horizontal and greater vertical dispersion, while the K1 offers fixed horizontal dispersion with a maximum of 5° inter-element angles for larger venues.

Pearl Jam’s FOH engineer, Greg Nelson, first heard the K1 system at Coachella, admitting that he was ‘blown away’ with how much sub bass could be achieved out of the main flown system. “Ratsound, our sound provider in the US, had purchased the system and I got to preview it at last year”s Coachella festival. I was wildly impressed with the performance,” he says. “The box just sounded better than anything else I had ever heard – straight out flat, just turn it on and go.
Read the rest of this entry »